A quick virtual jaunt to see Great Art

  • birth-of-venus_detail1.jpgI hap­pened onto Google’s vir­tual art museum site by acci­dent a week ago. Those clever peo­ple have dig­i­tized hun­dreds of works of art from 17 muse­ums around the world, and you can see them in roughly the same way that you see things via Google Maps. That gives you incred­i­ble con­trol (as you’d imag­ine) but also weirds up the expe­ri­ence quite a bit (as you would also imag­ine). It’s some­thing I book­marked, and I reck­oned that it was some­thing that oth­ers could add to their list of online places to go to kill a lit­tle time. What the heck, right? If you’re going to spend half a week­end in Far­mville, you can cer­tainly carve out an hour to take in a lit­tle “high cul­ture” while sip­ping a Diet Coke.

    The fun begins at The Google Art Project, but before you go skip­ping off, here’s a bit of per­spec­tive from an ex-art stu­dent with the help of a really good arti­cle enti­tled “Treat for the vir­tual art lover”


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    Plan on spend­ing a bit of time just get­ting used to their interface. 

    To quote from the above article:

    It is very much a work in progress, full of bugs and infor­ma­tion gaps, and some­times blurry, career­ing vir­tual tours. But it is already a mes­mer­iz­ing, world-expanding tool for self-education. You can spend hours explor­ing it, exam­in­ing paint­ings from far off and close up, pok­ing around some of the world’s great muse­ums all by your lone­some. I have, and my advice is: expect mood swings. This adven­ture is not with­out frustrations.

    You click to move around, and can look in dif­fer­ent direc­tions as you nav­i­gate your way around the gal­leries. But it’s not a per­fect sys­tem. The move­ment comes in a strange sweep­ing motion that’s a lit­tle dis­con­cert­ing, and you tend to end up look­ing in the wrong direc­tion more often than you’d like. Those are the kind of things that can take all the fun out of the expe­ri­ence if you don’t get the hang of it.

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    Good news; bad news: You DO get to look at the paint­ing up-close and per­sonal (some more than oth­ers); you DON’T get to “feel” it in the way you usu­ally would in an art museum.

    …  you can look at Botticelli’s Birth of Venus almost inch by inch. It’s noth­ing like stand­ing before the real, breath­ing thing. What you see is a very good repro­duc­tion that offers the option to pore over the sur­face with an adjustable mag­ni­fy­ing rec­tan­gle. This feels like an eerie approx­i­ma­tion, at a clin­i­cal, dig­i­tal remove, of the kind of inti­macy usu­ally granted only to the artist and his assis­tants, or con­ser­va­tors and preparators.

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    Even bet­ter news: Despite glitches in the inter­face and the lim­i­ta­tions of look­ing at art on a screen, there is some­thing that you get from this sur­real online expe­ri­ence that just wouldn’t be pos­si­ble in the real world — space! time! free­dom! Mean­ing … you can look at what­ever you’re inter­ested in as long as you want, as close as you want, and you can do it all while sit­ting in your favorite chair lis­ten­ing to your favorite mood music and sipping/munching/slurping your favorite food.

    Google main­tains that, beyond details you may not have noticed before, you can see things not nor­mally vis­i­ble to the human eye. And it is prob­a­bly true…. Still, the most unusual aspects of the expe­ri­ence are time, quiet and sta­sis: you can look from a seated posi­tion in the com­fort of your own home or office cubi­cle, for as long as you want, with­out being jos­tled or blocked by other art lovers. [empha­sis mine]

    So I’m say­ing, have a go at it. A lot of peo­ple I know have a kind of funny rela­tion­ship with art muse­ums. They like them, but they’re intim­i­dated by them. They feel good when they go, but they’re not always sure they want the bother of going. So don’t go and do go at the same time. Such is the bless­ing of cul­ture that’s only a mouse-click away.

    Put on some clas­si­cal music, get your­self a good cup of coffee/tea/whatever, close the door for 15 min­utes or so, and go look at Van Goghs and Rem­brandts and stuff — HERE. Good fun, and good for you.

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    Related posts:

    1. Adver­tis­ing and the state of Art — epi­logue: Art
    2. Silly air­port art
    3. VERY quick round-up
    4. Adver­tis­ing and the state of Art — part I
    5. Adver­tis­ing and the state of Art — epi­logue: pomo

3 Responses and Counting...

  • Grace 02.26.2011

    BTW, I should’ve men­tioned that my extremely pixel­lated detail of Venus isn’t from the Google Art Project. Their mag­ni­fi­ca­tions are much bet­ter done than that — I was just hav­ing a bit of illus­tra­tive fun.

  • You’ve used my favorite paint­ing in the world! I call her “Venus on the Half-shell.” I have been to Flo­rence sev­eral times and when I am there, the first thing I would do (except on the day the Uffizi is closed) was go in pay my lira (I havent’ been back since the euro was intro­duced) and gaze at her to start my day. Some days I’d even go back later to see her again.

    She is so beau­ti­ful and ever so much larger than you would expect. Exactly the oppo­site of Mona who is so much smaller than you’d think.

  • And I’ve never quite under­stood why Mona was a (sec­u­lar) icon; I can under­stand why this Venus is. I’ve never had the plea­sure of a per­sonal intro­duc­tion, but I wish I had.

    Our Kansas City art museum is the Nelson-Atkins. Really small by com­par­i­son to any of the great muse­ums, but it has a cou­ple of those kinds of art­works that are the same for me — I *know* I’m going to go see them and I plan the visit so that I’ve got the best chance of some qual­ity time.

    I don’t imag­ine it could ever be like that with a vir­tual art museum. But I sup­pose if it was a museum that you’d never get to any other way (as with the num­ber of them in the Google Art Project that are in the Nether­lands), get­ting to see it online is bet­ter than not get­ting to see it at all.

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